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ffmpeg.exe -y -i d:\tmp\myJPGsequence.%04d.jpg -vcodec mjpeg -qmin 7 -qmax 1 d:\tmp\out.mov

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• Draggable and resizeable text output box with the miximum and maximum channel values
  
• Areas with color values below the defined threshold are filled with magenta (by default, those are negative colors).
  
• Areas with color values above the defined threshold are filled with green (by default, those are color values above 1).
  
• The out-of-range areas are surrounded by white contour for easier visual detection in case the areas are too small.

• Switch has an A and a B input. The Input-Control allows to switch between them. Other than the Dissolve-Tool this macro does preserve the Domain of Definition (DoD).
  
• SwitchProxy is used to switch Full and Proxy resolution inputs based on the composition's Proxy-Setting. You can also force a manual output.

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{
Tools = ordered() {
  Background1 = Background {
   Inputs = {
	GlobalIn = Input { Value = 1, },
	GlobalOut = Input { Value = 10, },
	Width = Input { Value = 1920, },
	Height = Input { Value = 1080, },
	TopLeftRed = Input { Value = 1.2, },
	TopLeftGreen = Input { Value = 1, },
	TopLeftBlue = Input { Value = 1, },
	Gradient = Input {
	 Value = Gradient {
	  Colors = {
	   [0] = { 0, 0, 0, 1, },
	   [1] = { 1, 1, 1, 1, },
	  },
	 },
	},
   },
   ViewInfo = OperatorInfo { Pos = { 550, 280.5, }, },
  },
  Merge1_11 = Merge {
   Inputs = {
	PerformDepthMerge = Input { Value = 0, },
	Background = Input {
	 SourceOp = "Background2",
	 Source = "Output",
	},
	Foreground = Input {
	 SourceOp = "Background1",
	 Source = "Output",
	},
	EffectMask = Input {
	 SourceOp = "Ellipse1",
	 Source = "Mask",
	},
   },
   ViewInfo = OperatorInfo { Pos = { 550, 346.5, }, },
   Colors = {
	TileColor = { R = 0.815686274509804, G = 0.596078431372549, B = 0.435294117647059, },
	TextColor = { R = 0, G = 0, B = 0, },
   },
  },
  Background2 = Background {
   Inputs = {
	GlobalIn = Input { Value = 1, },
	GlobalOut = Input { Value = 10, },
	Width = Input { Value = 1920, },
	Height = Input { Value = 1080, },
	Type = Input { Value = FuID { "Corner", }, },
	TopLeftRed = Input { Value = 0.337254901960784, },
	TopLeftGreen = Input { Value = 0.188235294117647, },
	TopLeftBlue = Input { Value = 0.945098039215686, },
	TopRightRed = Input { Value = 0.529411764705882, },
	TopRightGreen = Input { Value = 0.941176470588235, },
	TopRightBlue = Input { Value = 0.117647058823529, },
	BottomLeftRed = Input { Value = 0.905882352941176, },
	BottomLeftGreen = Input { Value = 0.305882352941176, },
	BottomLeftBlue = Input { Value = 0.0117647058823529, },
	BottomRightRed = Input { Value = 0.811764705882353, },
	BottomRightGreen = Input { Value = 0.137254901960784, },
	BottomRightBlue = Input { Value = 0.423529411764706, },
	Gradient = Input {
	 Value = Gradient {
	  Colors = {
	   [0] = { 0, 0, 0, 1, },
	   [1] = { 1, 1, 1, 1, },
	  },
	 },
	},
   },
   ViewInfo = OperatorInfo { Pos = { 385, 346.5, }, },
  },
  FilmGrain1 = FilmGrain {
   Inputs = {
	Monochrome = Input { Value = 0, },
	MasterStrength = Input { Value = 0.03, },
	Input = Input {
	 SourceOp = "Merge1_11",
	 Source = "Output",
	},
   },
   ViewInfo = OperatorInfo { Pos = { 825, 346.5, }, },
  },
  Ellipse1 = EllipseMask {
   Inputs = {
	SoftEdge = Input { Value = 0.1038348, },
	MaskWidth = Input { Value = 1920, },
	MaskHeight = Input { Value = 1080, },
	PixelAspect = Input { Value = { 1, 1, }, },
	ClippingMode = Input { Value = FuID { "None", }, },
   },
   ViewInfo = OperatorInfo { Pos = { 550, 412.5, }, },
  },
  Saver1 = Saver {
   Inputs = {
	ProcessWhenBlendIs00 = Input { Value = 0, },
	Clip = Input {
	 Value = Clip {
	  Filename = "S:\\MR_vs_RMan\\images\\DNxHD_Test.mov",
	  FormatID = "QuickTimeMovies",
	  Length = 0,
	  Multiframe = true,
	  Saving = true,
	  TrimIn = 0,
	  ExtendFirst = 0,
	  ExtendLast = 0,
	  Loop = 1,
	  AspectMode = 0,
	  Depth = 0,
	  TimeCode = 0,
	  GlobalStart = -1000000000,
	  GlobalEnd = 0,
	 },
	},
	OutputFormat = Input { Value = FuID { "QuickTimeMovies", }, },
	Input = Input {
	 SourceOp = "FilmGrain1",
	 Source = "Output",
	},
	["QuickTimeMovies.Compression"] = Input { Value = FuID { "Avid DNxHD Codec_AVdn", }, },
	["QuickTimeMovies.Advanced"] = Input { Value = 1, },
   },
   ViewInfo = OperatorInfo { Pos = { 990, 346.5, }, },
  },
},
}

• New Manual and Help system
  
• New video training pages
  
• Expanded Deep Channels - forward & back vector and disparity
  
• Multi-Channel viewer
  
• Rotoscoping export (SSF) updated including animation & double polyline
  
• RED HDRI Modes and Multi track support
  
• Jpeg 2000 loading and saving
  
• Vector and disparity loading and saving from EXR files
  
• Expanded Fuse scripting and OpenCL 1.2 support
  
• Enhancements to Timeline feature set
  
• Updated spline controls and shaping
  
• Optimization to QuickTime handling

Flow = {
   M = "t = self:Composition():AddTool('Merge', true, -32768, -32768)",
   T = "t = self:Composition():AddTool('Transform', true, -32768, -32768)",
   B = "self:Composition():AddTool('Blur', true, -32768, -32768)",
   SHIFT_M = "t = self:Composition():AddTool('Merge', true, -32768, -32768)",
   SHIFT_T = "t = self:Composition():AddTool('Transform', true, -32768, -32768)",
   SHIFT_B = "self:Composition():AddTool('Blur', true, -32768, -32768)",},
}

• a four-corner-gradient with freely movable corners
  
• a linear ramp that gets extrapolated beyond its points
  
• a barycentric 3-corner-gradient
  
• combining multiple tools for more than 4 colors (data is passed via image metadata)

• Background - resolution and fill type (Solid/Vertical/Horizontal/4Corner/Gradient), e.g. BGR_2048x1556_Gradient
  
• FastNoise - resolution, type and inversion, e.g. FNoise_2048x1556_DisInv

• BitmapMask - source channel, inversion, paint mode, e.g. BMP_LuminanceInv_Multiply, BMP_Alpha_Merge
  
• Polygon - inversion and paint mode, e.g. PLY_Inv_Minimum, PLY_Maximum

• ChannelBoolean - operation, just like in the original version, e.g. BOL_Copy
  
• ColorSpace - color space to convert from/to, e.g. CSp_HLS (the direction of the conversion will be added in the next version, e.g. CSp_FromHLS)
  
• Gamut - source and output space, e.g. GMT_Rec709_Lin, GMT_Lin_sRGB

• Crop - resolution, e.g. CRP_1330x944_
  
• Resize - resolution, e.g. RSZ_720x576_ (filter method will be supported in new version)

• Blur - X and Y blur size, e.g. BLR_xy7_, BLR_x7y22_
  
• ChangeDepth - target color depth, e.g. ChD_16int
  
• Filter - filter type, e.g. FLT_Sobel
  
• Glow - to do, similar to Blur.
  
• MatteControl - channel to combine and operation, like in version from Chad, e.g. MAT_Red_Copy
  
• Merge - apply mode, just like in the original version, e.g. MRG_Multiply (operators of the Normal more will be supported later, e.g. MRG_Normal_Atop)
  
• Saver - output format, e.g. SVR_mov (QT codecs and bit depth for DPX and TIFF will be added later)
  
• Shape3D - geometry type and input material, e.g. SH3D_Plane_DiffuseMat, SH3D_Sphere_Phong1
  
• TimeSpeed - speed parameter, e.g. Speed_1x_ (delay value will be added later, e.g. Speed_1x_48Later)
  
• WirelessLink = W_Loader1

• Clip Low/High checkboxes are activated by default
  
• You can clip the Alpha channel using the same range
  
• After some internal optimization, it's 25% faster

• The tool allows you to define source corners so you don't need to use the icky perspective positioner
  
• Allows you to easily define a reference frame for a four-corner-track by copying from destination to source coordinates and vice versa
  
• Fine-tuning offset sliders allow you to tweak the track or adjust it for the second eye in a stereo project. This is something Fusion's current corner positioner has already and I wouldn't want to miss it.

• Connect the macro after the keyer
  
• Set the Output Image parameter to Pre-Shrunk Image
  
• Adjust the Pre-Shrink parameters so that the shrinking was as little as possible to just cut BG color spill completely
  
• Switch the Output Image to Extended Color to check with what colors you are going to fill the edges, adjust the shrinking if nessesary
  
• Switch the Output Image to Final Result
  
• Set the Extend parameters so that you see no sharp borders in the blurred areas. Keep the parameters values as small as possible
  
• Adjust the Soften Border group so that you don't see a border between the internal untouched areas and the recolored blurred areas